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Betty
Blandino Changing the soft, lumpen clay into a permanent form of dignity is the essence of my work. Ideally, I want each shape to spring up with its own unique life – a calm, poised, aloof, mysterious object. I am aware of influences: the beauty and delicacy of Lucie Rie’s bowls and the timeless pots of Hans Coper; all things archaic that bear the mark of wear; frescoes by Piero della Francesca; the sculpture of Brancusi and Henry Moore; the marks of early Mark Tobey paintings and Benin bronzes.
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