Hugh Stoneman
Master Printmaker 1947 - 2005
That Tate St. Ives should be holding an exhibition of Hugh Stoneman’s work until the end of May this year, is a tribute to his extraordinary expressive gifts and abilities.
It is rare for the printmaker to receive the recognition usually reserved for the originator of the work.
Tate St. Ives is exhibiting forty pieces of work from Hugh’s studio. The Stour Gallery are delighted and privileged to be able to simultaneously show work made by Hugh in conjunction with Royal Academicians and with the artist Breon O’Casey.
They highlight his ability to work in an exceptionally diverse range of styles and techniques.
To visit Hugh Stoneman’s printing studio in Cornwall was an awe inspiring experience. Purpose built, the studio was also beautiful, like a Noah’s Ark on the hillside of the valley, with breathtaking views.
Inside there was always evidence of the most recent print project, classical music playing and a warm welcome from Hugh.
Here he collaborated with national and international artists, many of whom he introduced to the medium of printmaking, supporting them technically and through publication of their work.
The role of the printmaker is to work along side the artist, using skills and techniques to achieve the image the artist intends. It is a symbiotic relationship; though the name on the finished piece of work is always that of the artist, rather than the printmaker.
STONEMAN prints have a standing of their own.
I am particularly grateful to Linda Stoneman, Hugh’s wife, who has been so supportive in putting together this exhibition of Hugh’s work.
Sarah Stoten
Royal Academicians
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