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Martin Fuller - Cup & Lip II  670x570mm gouache & ink on handmade paper
Cup & Lip II
67x57cm
Gouache & ink on handmade paper

Martin Fuller - Fauna and Flora 570x670mm gouache & ink on handmade Arches paper
Fauna and Flora
57x67cm
Gouache & ink on handmade Arches paper

Martin Fuller - Hobbyhorse 300x240mm  gouache on canvas
Hobbyhorse
30x24cm
Gouache on canvas

Martin Fuller - Full Moon - 00x240mm  gouache on canvas
Full Moon
30x24cm
Gouache on canvas

Martin Fuller - Have we Met  570x670mm gouache & ink on handmade Arches paper
Have we Met
57x67cm
Gouache & ink on handmade Arches paper

 

This is a selection of images from a large collection of work in the Winter Exhibition 06.

 

Martin Fuller
Painter

Martin Fuller was born in 1943 and studied at Hornsey College of Art, after which he was awarded the Guggenheim-McKinley Scholarship- American Workshop Italy.

He has had 24 solo shows in Britain, Germany, France, Italy, Ireland and the USA, including:
Arnolfini Gallery, Bristol, 1968 and 1971
Midland Arts Centre, Birmingham, 1968
Bristol City Art Gallery, 1970
Camden Arts Centre, London, 1971
Bear Lane Gallery, Oxford, 1971 and 1973
Grabowski Gallery, London, 1973
Thumb Gallery, London, 1976 and 1979
RZA Gallerie, Dusseldorf, 1983
Austin Desmond Fine Art, 1985 and 1990
On The Wall Gallery, Belfast, 1987
Hendrix Gallery, Dublin, 1987
Musee de I’Imaginaire, Paris, 1989
Artist in Residence, Santa Fe, 1991-92
KDK Gallery, London, 1997
Retrospective, Leamington Spa Art Gallery and Museum, curated by William Packer
Jonathan Clark (with Edward Burra), 2003

He won the Discerning Eye Modern Painters Prize in 1996, and first prize, Hunting Art Prize, Royal College of Art, 1997. He has been a guest on Michael Berkeley’s Private Passions on BBC Radio 3. His work focuses, as it always has, on opera, love, sex  and something of the nightclub.

Recently he has been using watercolour and gouache, rather than his usual oils.

"The drawings inform the paintings; watercolours are like having a box of fireworks; the primary colours, the immediacy. Everything seems more direct in watercolour. I take more risks on paper; I’m not beholden to it."

Martin Fuller

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