01608 664411 info@thestourgallery.co.uk


Winter Exhibition


Opens 18th November 2017


Winter Exhibition 2013


including artists: Angela A’Court ps, Libby January ps, Jane Wheeler, Pricilla Mouritzen, John Maltby, Sasha Wardell, Martin Andrews, Emily Myers, Andrea Bates, Jane Gibbs, Jake Lever, Jill Jeffreys, Martin Smith, Jude Jelfs Royal Academicians

Paintings, prints, ceramics, glass sculpture and jewellery

Gallery open: Monday - Saturday 10.00 - 5.30 or by appointment. Closed Thursday.

Autumn Exhibition 2013

including artists: Jo Ashby, James Campbell, Clifford Fishwick, Debbie George, Michèle Griffiths, Catherine Headley, Janette Kerr PRWA,
Margaret McLellan, Daphne McClure, Jonathan Pitts, Marc Reilly, John Maxwell Steele, Royal Academicians

Gallery open: Monday - Saturday 10.00 - 5.30 or by appointment. Closed Thursday.

Summer Exhibition 2013


Royal Academicians: Sandra Blow, Maurice Cockrill, Sir Terry Frost, Donald Hamilton Fraser, John Hoyland, Barbara Rae.
Paintings, prints, ceramics, glass sculpture and jewellery including
Ceri Richards etching Christopher Marvell bronze John Ward ceramic Martin Andrews glass Gallery jewellers
Gallery open: Monday - Saturday 10.00 - 5.30 or by appointment. Closed Thursday.

Spring Exhibition 2013

The Stour Gallery has shown and sold Simon’s work for fifteen years to those who respond to the strong colour and tonal qualities of the paint, to the sense of mystery of what might be just under the surface of land and sea and the marking of ancient paths. Simon's architectural training enables him to dispense with much a more obvious painter might include, by ensuring the structure is always there. His handling of paint, his over painting that depends so much on earlier marks and colour; his ability to create and reflect mystery, his drawing that lets a simple line convey a form, are all skills that are strongly evident in this new body of work.

The paintings are of Cornwall; its ancient settlements, landscapes, sea, sky and harbours, in all its sharp light and tonal beauty. Many painters find inspiration for their work in Cornwall - the requisite essentials are all there, few succeed as Simon succeeds, in reducing to essential but recognisable form and colour what lies below and above the surface of land, sky and sea. Sarah Stoten

Simon trained as an architect qualifying in 1980 and practised in Sheffield for twelve years before moving to Cornwall in 1992 to paint full-time. He works in a studio near Land's End and his paintings are exhibited in major galleries in Britain and abroad. As his reputation has grown his work has become greatly sought after. Simon is a member of the Newlyn Society of Artists. He continually returns to the discipline of drawing, always carrying a sketchbook, his paints in his studio where his drawings, paradoxically, are rarely directly referred to. "I seem to have had a pencil in my hand for most of my life. The work I do in the studio is based on memory; my drawings are often used for reference. I hardly ever transpose the pencil lines in my sketchbook as paint onto the canvas. The drawing is an
aide-memoir, once made it is stored in my mind and becomes an imprint of a specific moment in time. If I've drawn it, I'll remember it. " Simon Pooley

Simon's drawings and paintings continue to develop in breadth of style and subject, and sheer ability to paint with skill, strength and spirit. He has managed to free himself from the disciplined, detailed accuracy demanded by architecture and has adopted a flexible, flowing style. His paintings are energetic and full of life; his is enhanced by the different techniques and media used; from brushes and pencils to scratching through the paint and the use of collage.

Winter Exhibition 2012

ANGELA A’COURT pastel society
Opening 23 November 2012

together with Martin Andrews, Lyn Antley, Sir Peter Blake, Sandra Blow RA, Eleanor Clutton-Brock, James Campbell, Karen Christie, Clare Conrad, Jessica Cooper RWA, Louise Darby, Terry Frost RA, Debbie George, Mark Hanvey, Peter Hayes, Rachel Higgins, Ashley Howard, James Kerr, Priscilla Mouritzen, Marcus O'Mahony, Elizabeth Raeburn, Mark Raggett ARWS, Mary Rich, Laura Sednaoui, Tessa Tyldesley, John Ward, Sasha Wardell and Peter Wills,

Please visit our website from 12 November: www.thestourgallery.co.uk
Angela A’Court will have approximately 40 paintings in the exhibition
Many pieces will be suitable for gifts.
Work may be bought on receipt of an invitation and taken at the time of purchase.
The exhibition continues into February 2013
You are welcome to visit the gallery simply to enjoy the work
The gallery is open: Monday - Wednesday and Friday - Saturday 10.00 - 5.30 or by appointment

‘I love walking into the studio each morning - chalky sticks of soft pastel lined up in rows of grouped and gradated colours. The idea of holding raw pigment and applying it directly makes sense to me. For the most part, painting is a joyful process. From the first lines, to building up areas of colour into solid and then scratchy textured layers to define contours that describe the tensions and gestures between forms. Whether printing or painting - it all comes down to observation, an equivalent of a visual diary. I draw and paint what surrounds me and what I love. I seek to capture the impact of excitement and emotion that first made me stop and take note.’ Angela A'Court Angela A'Court is a British artist, originally from London who lives and works in New York. She studied at West Surrey College of Art, U.K. Goldsmiths' College, University of London and Parsons School of Art and Design, New York. Since graduating she worked as an interior designer for an architectural practice and then independently as a designer. Her work has been recorded in various magazines, Homes and Gardens, The Sunday Times, Traditional Interiors and Period Living. It has also been included in books such as 'Interiors by Design' and 'Modern Rustic'. “Throughout my years as a designer I always had a sketchbook to hand and have continued to paint. After fifteen years as a designer, I took the decision to return to painting full time, and two years after this I moved to New York where I now have my studio.” Angela was elected a member of the UK Pastel Society in 2009. She exhibits in the UK and USA


AUTUMN EXHIBITION 2012 - 14 September - 17th November

New work. Michèle will have approximately 40 paintings in the exhibition

The exhibition features the work of Michèle Griffiths and will include work by
Angela A’Court ps, Julie Collins, Debbie George, Andrea Humphries, John Pickering and Geoffrey Robinson

Angela A’Court ps will be the featured artist in our Winter exhibition opening in November.

The Stour Gallery celebrates fifteen years presenting contemporary art, an ever changing, quality art venue outside London, since 1997, in an early Georgian building with a deceptively large exhibition area of white-painted rooms on three floors. Originally lived and worked in by the Shipston plush weavers; today it provides space for showing some of the best fine and applied art. It is situated in the market town of Shipston-on-Stour, Warwickshire, on the borders of Oxfordshire and Gloucestershire.

“A painter has to paint as a bird has to sing”.
Born and educated in South East London, Michèle went to Girton College Cambridge, where she studied Modern Languages. After a post graduate year at Chelsea College (Diploma in Modern Social and Cultural Studies) and a year in Italy, she taught languages for several years in London secondary schools before important changes in her life circumstances made it possible for her to pursue her first love of drawing and painting and fulfil her dream of going to Art School. Since graduation from Wimbledon School of Art and Design in 1995, she has painted full time and exhibited widely. 

Summer Exhibition 2012 Sir Peter Blake


Marking his 80th Birthday

new paintings

Exhibition includes work by
Sandra Blow RA, Anthony Frost, Terry Frost RA, Lavinia Gallie,
Diana Green, John Hoyland RA, Bruce McLean, Barbara Rae RA

The gallery has specialized in Modern Masters and Original Prints since opening in 1997. We have found that there is often confusion between photographic reproductions of prints, drawings and paintings and original prints. Photographic reproductions are often high quality, on fine art paper, but they are not original prints; the artists have not been involved in their production, although they are often signed by the artist. The prints in this exhibition are all original artists’ prints, created by the artist or in collaboration with art printers.

Now celebrating his 80th Birthday and Godfather of British Pop Art, Sir Peter Blake has been producing spectacular original prints since 2003. His work crosses all generational divides, and cross references major cultural icons inspiring many younger artists including the YBA’s – (Young British Artists). Knighted in 2002, with an honorary doctorate from the Royal College of Art, his work is
represented in major collections throughout the world; Sir Peter Blake is truly a grandee of British Art.

The Gallery first showed Laura’s paintings last summer, they received a very positive response, with most selling from the exhibition. The paintings this year are equally vibrant, made with bold brush marks and strong colour. Wherever the roots of a painting lie, the abstracted forms have an energy and show a strong emotional engagement. We are delighted to be showing this recent body of work as
part of our summer exhibition.
Sarah Stoten 

Janette Kerr PRWA Exhibition 2012

25 May – 23 June 2012

Also includes
BREON O’CASEY printmaking and painting
PETER HAYES ceramics

Roger Bennett 
Mark Hanvey 
Christy Keeney
Marcus O’Mahony
Joe Hogan
Cóilίn Ó’Dubhghaill

President Royal West of England Academy

‘My paintings represent immediate responses to sound and silences within the landscape around me; they are about movement and the rhythms of sea and wind, swelling and breaking waves, the merging of spray with air, advancing rain and mist, glancing sunlight - elements that seem to be about something intangible. ‘

Janette Kerr is not somebody who makes meticulous studies of landscape. Beyond mere topography, but with a nod towards the Romantic tradition in landscape painting, her practice remains contemporary and experimental. Delighting in sudden and unpredictable changes in the weather, she is very much a painter of the British landscape -a foul-weather painter who enjoys being out in, and
working from the landscape when it’s dark and wet. Charcoal drawings and small paintings made on-site become the basis for larger work on canvas painted in the studio.

Her current preoccupation with the sea has taken her from the coasts of South Wales and Dorset (where she grew up), to the Isle of Skye, Northumbria, and the Ring of Kerry, Ireland. During 2006 and 2008, Kerr was a resident artist at the Cill Rialaig International Art Centre, situated on a small wild and windy peninsula on the edge of the sea in the Ring of Kerry, S Ireland. 2009 found her working on
Shetland as a resident artist. Regular trips to the islands of Skye and Lewis and to Southern Ireland fuel and reinvigorate her work - time spent walking and absorbing - making drawings and paintings which are then worked with in her studio.
The paintings in this exhibition result from her Shetland residency and residences on the west
coast of Ireland.

The Shetland work is her first to use mixed media and figurative representation.

Spring Exhibition 2012

Jessica Cooper RWA Life Without Words - New Paintings
There will be approximately 40 paintings in the exhibition

10 March – 21 April 2012

Jessica Cooper’s paintings have a clarity of observation and mark making that create their own ambiguity. Forming connections, emotions evolving and revolving, the paintings are caught in time, place and circumstance. Her subjects are the familiar that anchor her in her life; isolated on canvas, we reappraise and interpret them through our own daily lives. We feel we know them, as indeed we do; they are part of the shared human experience. A sense of place, a sense of self, and a sense of the pathos of the house, the tree, the cup, flower or fruit, are the communicating elements of Jessica Cooper’s work; that these objects and landscapes cannot know the emotional response they trigger in us; the moment caught and held by the paintbrush and pencil; and underpinning and supporting, the emotional communication, a strongly intuitive but academic understanding of area, colour, form and tone. In many ways visual poetry of the sparest and most affecting kind.
Sarah Stoten

The exhibition will include a collection of ceramics by leading Danish potters:
Courtesy of Anita Besson - Galerie Besson Anne FlØche • Priscilla Mouritzen • Hans VangsØ

Stoneware and Porcelain vessels by three leading Danish potters: Anne Fløche's stoneware is freely expressive, with a bold and broad definition of form, depth and texture of glaze and an economic brush. Her crawling pigments and lyrically abstracted motifs enrich the poetic charge of her pots and reveal a sensitive, gently humorous eye for the shapes and characters of the natural world.
Hans Vangsø studied at the Jutland Academy of Fine Arts in Demark. He makes bold woodfired pots, often square vases and large jars. He has exhibited widely in Denmark and Europe, and in 2002 was one of the artists selected for the major touring exhibition From the Kilns of Denmark which travelled to New York, Berlin & Paris.
Priscilla Mouritzen: South African born; Priscilla had a studio in England before moving to Denmark where she has lived and worked since. She makes delicate pinched porcelain bowls with engobe glazes, patterned, textured and woodfired. She has exhibited widely in Europe and is a board member of the Guldagergaard Ceramic Centre, Skælskør and the World Crafts Council Europe

Retrospective Exhibition 2012

Hazel Johnston - Retrospective Exhibition in association with the Johnston family

18 February – 3 March

A selection of the work will be for sale together with a beautifully illustrated publication ‘Hazel Johnston – Porcelain’

The ceramics will be shown with paintings by Julie Colins
It is the sense of calm, the colour and placement of vessels in the paintings, which led to inviting Julie Collins to exhibit her work with Hazel Johnston’s ceramics. The departure from form to the exploration of pattern, space and colour in her paintings, share so much with Hazel’s work; ceramics and paintings coming together in harmony and contrast.

Work is also available by artists including:
Modern Masters: Peter Blake, Sandra Blow RA, Terry Frost RA, Bruce McLean, Jane O’Malley, Tony O’Malley HRHA, Breon O’Casey, Barbara Rae RA.

Painters: Angela A’Court PS, Jo Ashby ARBA, Lynda Ruth Brown, James Campbell, Jessica Cooper RWA, John Emanuel, Anthony Frost, Diana Green, Michèle Griffiths, James Kerr, Janette Kerr RWA, John Pickering,
Simon Pooley, Simon Quadrat RWA, Mark Raggett ARWS, Geoffrey Robinson, Maggie Shaw, John Maxwell Steele, Terry Whybrow, Penwith and Newlyn Societies.

With an extensive collection of ceramics, sculpture and jewellery.

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